Tag Archives: video

Real World Uses of Canon C100 Dual Pixel CMOS AF for Video Journalists and Documentarians

A few months back at a music festival in Beijing a man walked by me dragging a cabbage. Perplexed and trapped between two mediocre metal bands, I asked my friend what the deal was. She told me that the cabbage symbolized economic inequality and the act was a form of protest.

In China the cabbage has quite the history compared to other vegetables. In harsher times, it was the main source of sustenance for many and having cabbage actually symbolized wealth — because you could afford to eat.

However, when I got home I started seeing reports online with other explanations. “Lonely teenagers in China who feel life is pointless and who struggle to find friends have taken to befriending the lowly vegetables as the perfect, undemanding companions,” said the Austrian Times, complete with quotes from psychologists and Chinese teens.

Within days, lots of explanations started surfacing. But a quick Google search actually showed that this was something of a performance art and it wasn’t a new thing at all. In fact, its been going on for over 10-years by the Beijing-based artist named Han Bing. A couple of text messages later and some quick networking and I found the guys contact details and decided to give him a call.

A week later, I spent a day with Mr. Bing to get to the bottom of it. After all, how often would I get a chance to strap a GoPro to a cabbage?

While this video is relatively simple there’s a couple tech details going on here of note. It was filmed with the Canon C100′s relatively new Dual Pixel CMOS AF upgrade. When Canon announced this was going to happen I actually had mixed feelings about it. I asked myself if I needed, or even wanted to autofocus at all. Would it be better to have auto focus? or use the Zeiss primes I have grown to love?

I let my curiosity get the better of me and paid for the upgrade A couple months after getting the installation the answer is very clear: if you shoot journalism with the C100 the update is an absolute necessity. I’ve found the feature useful in number of common situation for solo video journalists. With my Glidecam I can not only follow people with a much more shallow depth of field, but I can change my position in relativity to the subject and still maintain focus without a focus puller and wireless system (not that I have ever had those in the field).

Another tremendously useful use is the ability to track things at longer focal lengths. Tracking a fast moving cabbage at 300mm is simply much easier now. With video journalism, we tend not to have the ability to ask subjects to do things twice, so getting a shot on first take is essential.

Breaking news environments is another scenario where I’ve found the feature to be extremely valuable. On a recent assignment in Hong Kong, I attended a protest where over 500,000 people voiced their concerns about Chinese growing influence in the territory. The video was filmed, edited and published within 48 hours. There wasn’t too much tracking or focus pulling going on, but in a large crowd I could get shots quicker and more accurately with the AF. It was a tough situation to navigate and the AF just made life easier, which actually helps meet deadlines.

The feature has become invaluable to me but I do hope for continued firmware improvements to it. Currently, the system does not allow you to change the point of focus within your frame – unlike cameras like the Panasonic GH4 or Canon’s own 70D. This means you can’t chose what point the camera is tracking – it is always in the centre. I’ve reprogramed my camera’s buttons to have a quick focus lock, I can focus and recompose if needed, but it would be nicer to have more control here.

The C100 set up for an interview
The C100 set up for an interview

Being able to control the speed at which the camera focuses would also be very useful. Currently the AF is so quick it can look a little bit unnatural – perhaps lacking emotion. Having the ability to tell the lens to pull focus more gradually would give you the ability to change focus with a little more style.

While I hope Canon will give us these features with an update (ed – don’t hold your breath), the Dual Pixel CMOS AF already makes the C100 more valuable for video journalists and documentarians. It has in fact changed the way I shoot and sped up my workflow in fast paced environments.

Of course I also took my GoPro for a ride on the cabbage
Of course I also took my GoPro for a ride on the cabbage

The People’s Religion

“Buddhism and Daoism are embedded in Chinese traditional culture,” the Rev. Matthew Zhen said after an early morning mass in Latin at the Church of the Immaculate Conception in Beijing. “But Islam, Christianity and Catholicism have a relatively short history in China. People need time to accept them.”

Although Christianity entered China well over a thousand years ago, the recent destruction of the Sanjiang Church in the eastern city of Wenzhou underscored Father Zhen’s point — more time may be needed. Whether it is primarily a question of time or ideology, however, is debatable.

“The government feels more comfortable with the so-called traditional religions in China — Buddhism, Daoism and folk religion,” said Ian Johnson of The Times’s Beijing bureau, who has reported on religion in China for more than 20 years. “They think those are less threatening than those that have more outer-world links such as Christianity, including Catholicism with ties to the Vatican, or Islam. Overall the government is a little uneasy about the growth of Christianity. It sees it as something that is a little bit out of control.”

In “Church-State Clash in China Coalesces Around a Toppled Spire,” Mr. Johnson explores the current state of religion in China and what conclusions can be drawn from the destruction of the $5.5 million, year-old church in “China’s Jerusalem.”

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A Freelancer’s New Year’s Message

About four months ago I stopped booking new work.

2013 was an amazing year of work for me. I shot, produced and edited over 50 videos in China, the United States, Hong Kong, Thailand, Myanmar, The Netherlands, Poland and Romania. When I get this busy, sometimes my Vimeo channel ends up being a better record of events than my own memory. In 2013, between pre-production, production, post production, client management, stock sales and attempting to keep up with social media, I didn’t have a single day off.

About half way through this marathon of work the stress of never having a day off began to wear on me. I never “burned out” per se, but it became clear to me that I would never have a day off unless I stopped taking on new work. So I decided to take a step back and re-evaluate how to be passionate about my trade, putting everything I have into it, without completely compromising everything else in my life.

Entering 2014 my schedule is cleared for the first time in about three years. Even though I spent so long deliberately trying to get to this point, its actually a bit scary. However, the unknown possibilities are extremely exciting.

The entire process of getting “unbusy” has gotten me thinking about just how busy a freelancer should be. Unlike people with traditional jobs our working hours are relatively indefinite and formless. Our weekdays and weekends — indistinguishable.

So how much work is healthy and how much is too much? Should I be outputting as much as a staffer does? If I had taken half as much work last year, would that work be twice as good? How much quality was sacrificed by constantly being on a deadline?

And what about the rest of life? If you work all the time there isn’t much time for anything else. How many times can you tell a friend you are too busy to come out for a beer before they stop asking? How many “work vacations” can you go on with your girlfriend, before she asks you not to bring a camera? (ok, fine — the camera isn’t a problem, but a tripod certainly makes things less vacation-y).

As I’m trying to learn how to be un-busy, apparently not an easy task, these are the questions bouncing around my head entering 2014.

can get lost in the online ocean of content. If you work in video production then also know this — there is always more work you can do on projects. You can always make sound, color or sequencing tighter. Projects can always be improved and very rarely have I ever finished something and thought ‘there’s nothing more I can do.’

But without a doubt constantly working has made me better at what I do. More precise, more toned-in and more comfortable being creative and efficient in difficult environments with up-to-date technology. Before using the Canon 5D mkII I had barely touched a video capable camera. A few years later, I have a career shooting commercials, news videos and documentaries. Even after years of dedication and passion, I don’t think my learning curve is slowing. The work I’m doing now is leaps ahead of what I was doing 12 months ago.

The video above, Promise and Peril was shot in Myanmar over three different trips over the course of one year. Its a project I’ve been blogging about on the site throughout the year, here and here. In 2013 I made ten news features produced in Burma, but the greater goal of the project was to create a 30-minute documentary painting a bigger picture of what democracy means in reform era Myanmar. Some of the news videos appear in the main doc, others don’t. Some original content only appears in the doc, and some news clips are shown in their entirety, with different creative treatments. From a news industry perspective this is actually a bit unique and interesting. Its a way to get more legs out of your content, without changing your production costs too much.

But I can look at the doc and see quality differences from scene-to-scene. Things I see from segments shot earlier in the year, that I would never do now. This to me is an indicator that all the time I spent juggling multiple projects in multiple countries for multiple clients wasn’t without big benefits.

But perhaps the greatest thing I’ve learned from being too busy is how many things I want to be better at.

For me, I know I want more time to study software and setup better workflow processes. I want to improve my color grading and audio engineering skills, learn to animate and become more efficient at handling data. These type of ventures get lost quickly if every bit of your time is spoken for.

When I realized that these things were important to me — I decided to stop booking work. I decided I want to chose my projects even more carefully than I already do and to make sure I have time for other parts of life. Finding the right balance between improving myself professionally, earning money while doing interesting work and still having time to enjoy life (without carrying a tripod around), might just be the greatest challenge I’ve found as a freelancer.

Just like a busy restaurant will often stay busy simply because its full of people (the sheep mentality) — by working a lot I do believe I get more work. But by working too much I don’t have time for the other things which are so important in staying relevant in a technology-based industry as well as simply spending time with the people I care about.

These are the promises and perils of freelancing.

So looking into 2014, I’d like to wish all you readers of the blog a healthy and balanced year ahead: A year with bright ideas, powerful projects and hopefully, a little time for yourselves. I know these are my goals.

Happy New Year and thanks for reading.

Jonah

Myanmar Emerges is a year-long GlobalPost investigation into challenges facing Myanmar’s nascent democracy. To learn more about this project click here.

jonah_kessel_protest

A Portrait of Luo Changping

Transparency International Integrity Award: Luo Changping from Jonah Kessel on Vimeo.

This video portrait of Luo Changping, an anti-corruption fighting journalist in China was commissioned by Transparency International to be played at the 2013 awards ceremony in Berlin. Luo along with Angola based journalist Rafael Marques de Morais received the annual award.

I’ve really grown to love this form of video. In my opinion it is the video equivalent of a still portrait where the photographer takes control of the elements from lighting to where the subject is photographed. In the video world, we have room to create sequences that build an environment and an atmosphere around a subject’s voice.

However, if we were to put narration in, I believe the format changes dramatically to become something different.

Working on projects like this is meaningful to me because I supply the creative architecture to let the character speak. And this character should be commended by what he says. Fighting corruption in China is an uphill battle and very few are brave enough to even try.

ABOUT THE INTEGRITY AWARD
Transparency International Integrity Awards recognise the courage and determination of the many individuals and organisations fighting corruption around the world.Winners are a source of inspiration to the anti-corruption movement because their actions echo a common message: that corruption can be challenged.

FROM TRANSPARENCY INTERNATIONAL:
Working in an environment of media censorship, Chinese journalist Luo Changping summoned the courage to expose corruption via his personal blog.

When the respected financial magazine Luo works for was reluctant to print the name of a high-ranking official accused of illegal financial dealings, he bravely decided to publish the full allegations, including the official’s name, himself. His naming of the official, Liu Tienan, eventually led to a government investigation resulting in Liu’s dismissal from the party and removal from public office in 2013.

The road to accountability was not an easy one. After the investigation was announced by Chinese authorities, Luo’s internet account was deleted before he could release further information on the story. But were it not for Luo’s courage and tenacity, the official’s conduct would have continued unchallenged. Luo’s success was a rare victory in the struggle for transparency in China. His actions have demonstrated the important role for investigative journalism and social media in the fight against corruption.

FROM CHINA
The response from the Chinese government to Luo’s award is not a surprising one. Before the award was released the central Propaganda Department told Chinese media outlets (via China Digital Times):

“Regarding Transparency International’s intention to give Caijing Deputy Editor Luo Changping [this year’s] Integrity Award, the media must downplay the story. Do not report or comment on it. (November 2, 2013)”

中宣部:透明国际拟授予财经杂志副主编罗昌平清廉奖,各媒体须淡化处理此事,不报道,不评论。

Transparency International
Get involved – Integrity awards http://buff.ly/I6rqzn

THE MEDIA ON LUO:
NYT: China to Investigate Top Economic Policy Maker
CNN: How Chinese journalist Luo Changping took on a corrupt official
BBC News – How a Chinese journalist took on a top official
China Digital Times: Minitrue: Luo Changping May Win Integrity Award
SCMP: Luo Changping on the state of Chinese media | South China Morning Post

How should we judge the best multimedia? An open letter to World Press Photo

To Micha Bruinvels:
Contest coordinator at World Press Photo

Thank you for inviting me to visit World Press Photo in Amsterdam last week. It was a true pleasure to meet you and your colleagues as well as to see and learn about all of the work being done to promote and improve visual journalism around the world by WPP.

It was also very insightful to be able to talk to you about WPP’s young multimedia contest and the challenges that occur in trying to create categories that are applicable to a constantly changing media environment across the globe.

Every year, following contest season there seems to be quite a lot of debate about who wins what as well as what categories and merits multimedia journalists are judged in. While debate and discussion are healthy, there has been some criticism of the contest categories of WPP’s multimedia site, including on this site here and here.

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Robbing our subjects or helping our audience?

“In the end, we didn’t reach an agreement. They got violent and took me away from the villager’s home. They hit me in the head, slapped my face and pushed me down the stairs. Then they forced me into the car and kept hitting me … They Forced me to meet their leader. They took me there and pushed me out their car and I saw the office of their leader. I thought I would be safe, but it wasn’t true. I was pushed into the office and I saw him sitting behind the desk. He was just staring at me. Then the thugs poured hot tea on my face and body. He just started at me in silence.”

Getting quotes like these is very difficult in China, especially when it comes to land rights. It’s even more difficult to get people to say it on camera. If a subject says something like this to me, on camera, they are risking even more problems for themselves. But in the video above, you won’t actually hear the subject say this in Chinese; instead, you’ll hear a voice-over in English.

I often wonder who I am truly making videos for. Am I doing it for the subjects in the videos, to give them a voice? Is it for a cause that needs more awareness? Am I doing it for me?

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Xièxie Chinese State Security!

About a year ago while reporting on work conditions of Foxconn employees for the New York Times’ iECONOMY series, my team ran into some small problems with state security.

While visiting a dorm room of a factory worker, I noticed the normal entourage of people following us around had increased. Among the crowd, a couple of heavy set fellows with crew cuts continually taking photos of us. These are plain clothed policeman. In my experience, when police start following you, they aren’t actually too sneaky. These young men weren’t being shy about it. At points they would walk right up to you and snap a photo 5 inches away from your face with their oversized cell phones.

These policemen were actually very friendly. We even talked to them. They told us they knew our names and that we were from the Times. They were very excited when they got the opportunity to show us the photos they were taking. They even had photos of us from days earlier and showed us photos of colleague who had been in the area before.

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A Not So Ordinary Night at the Beijing Opera

In the winter of 2011 I followed director Chen Shi-Zheng as he created a new take on a classic Beijing opera, Farewell My Concubine.

Trying to do new takes on traditional art forms in China can be a bit risky. A decade earlier, Chen made a modern production of an opera that was so wildly different than the norm, the government actually shut down the production.

Initially these videos were going to be part of the Times’ Culture and Control series, as a positive example of change. The Times’ Culture and Control series explore the struggle to shape the culture of authoritarian China.

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Committed to Truth: Liu Jianfeng

In May of 2012 the Committee to Protect Journalists approached me, asking if I would be interested in making a short film about a Chinese journalist.

Last month, the piece published. It would be my umpteenth video looking at free speech and cencorship in China. Although it only took two days to film, there was about 10 months of planning involved. Thats mostly because, no one wanted to be featured.

I emailed many dozens of Chinese journalists for months and was having zero luck. They were interested in being featured until they found out the topic was human rights and free speech. As soon as they heard these words, most would immediately stop answering emails. Sadly, I think these people are better examples of what the average journalist in China. They are part of the system, and not willing to shake it … or in this case, come close to the shaker.

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Citizen Zhu: Dissident or Comrade?

Citizen Zhu from Jonah Kessel on Vimeo.

Since recently appointed President of China Xi Jinping has taken his place at the top of the communist party, China watchers have been swimming in content featuring the word “reform.”

Lately, this word has manifested itself in the topic of constitutionalism. Many intellectuals and liberal thinkers in China think that this might be the way forward. On the 30th anniversary of China’s constitution, Xi is reported as having said “The Constitution should be the legal weapon for people to defend their own rights.”

Some people are surprised at the fact that China even has a Constitution. What does a document like this mean in an authoritarian state? Following the cultural revolution when the document was created it guaranteed “full powers of representative legislature, the right to ownership of private property, and freedoms of speech, press and assembly.”

However, most people know that these things are far off in China. I’ve met countless people whose land has been taken, journalists whose speech has been suppressed and of course we all know what can happen if people assemble in this country.

This week I spent a day with a citizen journalist Zhu Reifeng. Zhu runs an anti-corruption web site called The People’s Supervision. The Wiki-Leaks style site has exposed corrupt politicians all around the country, many of whom have lost their jobs over Zhu’s reporting.

In my report I follow Zhu as he files for divorce and talks to other journalists. My video was created for a general audience, and is available at the New York Times or at my Vimeo account above. However, for China folks interested in free speech I wanted to share a few more bites/

The video briefly mentions police banging on Zhu’s door earlier this week. This visit was prompted by a sex tape Zhu released on line. This tape, was actually suppressed and held hidden by Bo Xilai’s cabinet for years. The party seems to have been ok with Zhu releasing this video, as it may help further to burry the reputation of the disgraced politician Bo Xilai even further. However, when Zhu said publicly he has six more sex tapes involving Chongqing officials, it didn’t take long until the police came to his door. Here is Zhu’s full description of the events that transpired that night:

A Dissident’s Rant: Extended Excerpts from Zhu Ruifeng Interview from Jonah Kessel on Vimeo.

Now, you might wonder why this is a big deal. Cops come to lots of doors, right?

Well, in China this could lead to a dark world. In 2009 Zhu refused a bribe from a corrupt politician who he exposed as having shady business dealings with mine owners. After leaving the, Zhu encountered uniformed and plane clothes policemen again. Here’s how he describes that situation:

So maybe Zhu would have been taken to the police station. Maybe he would have been taking to one of China’s infamous black jails. We don’t know, but I don’t blame him for not opening the door.

Over instant noodles in Zhu’s office we chatted. To me he appeared to be a warrior of free speech and anti-corruption. In my video, he sites China’s constitution and says he is following Xi Jinping’s words. However, during the 48 hour period it took for me to shoot, edit and publish this video Zhu made a swift reversal of some of his ideals he seemed so passionate about. Within this period, he decided he would not release the other videos.

So the question becomes, what happened? Who was involved in those other six video tapes? Times’ reporter Andrew Jacobs covers this in his report “Chinese Blogger Thrives as Muckraker.” However, on a more sad note we see yet another example of the facade of this document and the politicians’ claims to uphold it. If this document held any true weight, would Zhu have backed off? You can’t blame him though. I wouldn’t want to spend time in a black jail here either.

The Chinese political and media environment seem so connected at times that all it takes is just one toe over the ephemeral line of acceptance, to scare even the bravest of China’s journalists away.