
One year after an intense drinking match with some (far rougher than I) Inner Mongolian farmers I found myself staring at a desert I had photographed for China Daily.
This time, free from the shackles of the propaganda machine, I was sent to create twelve short videos documenting the work of Shanghai Roots & Shoots program combating desertification known as The Million Tree Project.

This was the first assignment I’d had in a very long, where I had to shoot the same thing twice in a year. This used to happen when I worked at the Tahoe Daily Tribune — events would repeat themselves, in what is often referred to as “calendar journalism.” While I used to hate this in my days at Lake Tahoe — this repeat of an assignment was different.
It was different because it gave me a chance to evaluate my progress as a visual journalist over the course of one year. A shoot in the same country, same location, same subjects with the same output.
Last year I created a single 4 minute video that combined some interviews with some still photographs. This year, in a similar timeframe — I created twelve, two-minute videos.

And like last year, I saw sprawling deserts, wind whipped children and farmers who’se lives have been taken over by the desert. However, unlike last year — this year I came with a new perspective on how to create stories. And unlike last year, this year I had a small budget which meant being able to hire more people to help. After having just finished up the hutong project, and the underground city project I grabbed friend and colleague Kit GIllet and we packed our kit (pun intended) and took off for Kulun Qi, Inner Mongolia.
While last year’s kit included a Canon 5D Mark II and a tripod, this year’s kit required a little more effort to carry. This year, I brought with me: a Canon EOS 5D Mark II, a Canon EOS 7D, Canon EF 70-200mm f/2.8L IS USM, Canon EF 24mm f/1.4L II USM, Canon EF 50mm f/1.2L USM, Canon EF 24-70mm f/2.8L USM, Canon EF 14mm f/2.8L II USM, Canon MP-E 65mm f/2.8 1-5x Macro, Canon Extender EF 2X II, Rode VideoMic: On Camera Directional Video Condenser Microphone, Zoom H1 Handycam Audio Recorder, Kessler Krane Pocket Dolly v2.0, Traveler Size, (2x) Manfrotto 190Cx Carbon Fibre Q90 4-section Tripod, and a custom rig made built from a Jag35 DSLR Adapter, a (2x) 12″ carbon fibre Ikan Rods, D-Focus Follow Focus, aGini Customized Shoulder Rig, Ikan Cheese plate & Rod Adapter, Genus Lens Gear and Shoot35 Lens Gear, Monitor-X and Loupe Kit Viewfinders and my always trusty Blackrapids RS DR-2 Slim Double Strap and Blackrapids RS-7 R-Strap.

This gear actually all fits into one F-Stop Satori pack and one F-Stop Tilopa pack. These are both part of F-Stop’s mountain series packs which I now use in conjuction with some hard shell Pelican cases for holding glass and “dangerous” rods under the plane.
The bags are similar, but the Satori is slightly bigger. The Satori is a 58 Liter (3,500 Cubic Inches) bag that allows me to carry varying amounts of camera gear, clothes, water/food, tripods and a slider. The bag looks and feels more like a hiking bag than a camera bag. This is good for a number of reasons. First, you can hike with it or walk around a desert, city or anywhere else for a long period of time without having an acquiredly shaped bag screwing up your back. Second, its kind of nice to not look like your carrying $20,000+ in your bag as you travel (obviously, strapping a lot of gear to the outside won’t help you here). Pending what I’m doing I’ll take the bag off while I’m actually shooting, but its certainly possible to shoot while carrying all of this (see above photo of me at an Inner Mongolian school).
The word “varying” above is truly possible with this bag. F-Stop bag’s contain what they call an ICU, or Internal Camera Unit. This is a separate bag with backloading access from the main bag. The ICU’s come in four different sizes and allow you to adjust how much camera gear you need vs. traveling and living gear. The ICU itself doesn’t add too much weight to your setup and a provides amazing flexibility, per assignment.

You can imagine this is a lot of gear to keep track of and cart around; however, the more my career progresses I’m quickly learning, this actually isn’t that much gear for a single assignment. Having more bodies around to help carry it, certainly helps — but often a sad reality is — the more gear you have, the more options you have. Of course, this job could have been done with a 5DMII and tripod, but the difference between last year’s film and this years is infinitely different.

Reforstation, Desertification and Roots & Shoots
“The best time to plant a tree was 20 years ago. The next best time is now.”
Over the next two weeks I’ll post one video a day, documenting Roots & Shoots efforts to combat desertification in Inner Mongolia. If you are unfamiliar with Roots & Shoots’ Million Tree Project, I encourage you to check out their web site and get involved. All it takes is a couple minutes and you can actually have an impact regardless of where you are in the world.
Shanghai Roots & Shoots’ Million Tree Project, which began in 2007, aims to raise community awareness of the Earth’s precious environment while focusing on steps individuals can take to lessen their negative impact on the natural world. The project gives individuals and organizations an opportunity to fight global warming by planting oxygen-producing trees in Inner Mongolia, China. It also encompasses true capacity building as the local population is intimately involved with, and benefits from, every step of planting, maintaining and monitoring the trees.

The Million Tree Project is designed to improve both ecological and humanitarian conditions of Kulun Qi, Tongliao municipality, lnner Mongolia, We chose this project site because the area suffers severely from desertification and its consequential sandstorms. These sandstorms strike Inner Mongolia and its surrounding areas each spring, destroying local homes and forcing many people to flee their native land.
The Goal: Shanghai Roots & Shoots aims to plant one million trees in the Inner Mongolian desert by 2014. We have a long-term Memorandum of Understanding in place with the Forestry Bureau of Kunlun Qi to reach this goal, and have secured land for one million trees (planting an average of 1500 trees per hectare). As of April 2010, we have planted 400,000 trees.

“The best time to plant a tree was 20 years ago. The next best time is now.”
THE MILLION TREE PROJECT CHAPTER INDEX
1. The Project
2. Desertification
3. The Volunteers
4. A Wall of Trees
5. Corporate Social Responsibility
6. A Volunteer’s Life
7. Life on the Desert’s Edge
8. A Local’s Life
9. Education
10. Working Together
11. The Man Who Planted Trees
12. A Better Future
Check back here over the next two weeks for these twelve videos and learn how you can help stop desertification at mtpchina.org.